2000s

Reviews of the best and worst films of the decade spanning from 2000 to 2009, including The Dark Knight, No Country for Old Men, WALL-E, Children of Men, Million Dollar Baby, and The Lord of the Rings trilogy.

The Forgaughtens: Charlie’s Angels: Full Throttle (2003)

The Forgaughtens: Charlie’s Angels: Full Throttle (2003)

I was pretty forgiving when I wrote last week about the 2000 Charlie’s Angels film. Yes, it’s packed with some really inappropriate and disappointing instances of cultural appropriation, but the three leads and the film’s very manic “turn of the millinnium” energy help it mostly succeed nonetheless. Thankfully, its sequel, 2003’s Charlie’s Angels: Full Throttle […]

The Forgaughtens: Charlie’s Angels (2000)

The Forgaughtens: Charlie’s Angels (2000)

In 2019, before movies were cancelled, a Charlie’s Angels reboot starring Kristin Stewart came and went from theaters without much of a peep. But unless you were squarely in MTV’s key demographic (super horny and roughly 12-28) at the dawn of the new millennium, you might not have even known this more recent Charlie’s Angels […]

The Taking of Pelham 123 (2009) Review

The Taking of Pelham 123 (2009) Review

Click here to read my original The Taking of Pelham 123 review from 2009. RATING: (2 STARS) Three years went by between Tony Scott’s previous film, Deja Vu, and this. Before that and culminating with Deja Vu, he directed films in three consecutive years. Was he burnt out? Or creatively stuck? I’m merely speculating, but […]

Deja Vu Review

Deja Vu Review

RATING: (4 STARS) It takes Deja Vu a long time to get where it’s going, but once it’s driving down a New Orleans highway with one eye in the present and one eye three days in the past, you’re all the way in. This is by far Tony Scott’s highest-concept film ever, and while I’m […]

Domino (2005) Review

Domino (2005) Review

RATING: (3.5 STARS) While not the last film in Tony Scott’s filmography (and thank goodness for that because there’s some gold to come), Domino feels like the movie his entire career has been building toward. Ironically, it’s also one of his least successful films financially, and it was largely panned by critics. Let’s get this […]

Man on Fire Review

Man on Fire Review

RATING: (2 STARS) Man on Fire was the first Tony Scott movie I ever saw. I was in high school and just getting into film. Denzel was the man, and this film cranks his badassery up to 14. I couldn’t have loved it more, and it was a film I couldn’t wait to revisit for […]

Spy Game Review

Spy Game Review

RATING: (3 STARS) Spy Game is a film that carries over Tony Scott’s interest in the people who watch us from Enemy of the State, but it does so in a much different way. I had assumed going into this film for the first time that it would be a close sibling to Scott’s previous […]

The Forgaughtens: The Black Dahlia (2006)

The Forgaughtens: The Black Dahlia (2006)

The Black Dahlia is what happens when a master director’s stunning vision gets reigned in or knocked off course by a screenplay that demands too much from him. There are moving images that Brian De Palma and his team conceived of and constructed throughout this film that literally took my breath away – three friends […]

The Forgaughtens: Lucky Number Slevin (2006)

The Forgaughtens: Lucky Number Slevin (2006)

Slevin. SLEVIN! If I asked you to tell me what a movie called Lucky Number Slevin was about, and you said, “It’s probably about a terrible case of mistaken identity that gets a man in a towel caught between two brutal crime lords,” well you’d be right, but I’m pretty sure you’d have cheated. Anyway, […]

The Forgaughtens: The Recruit (2003)

The Forgaughtens: The Recruit (2003)

Sometime in late 2001 or early 2002, someone in Hollywood thought they cracked the code on Colin Farrell, Bridget Moynahan, and late Al Pacino. The result of that (presumably coke-fueled) idea is The Recruit – a truly bonkers movie that helped contribute to the months of January and February becoming the ripest period for disposable […]

The Forgaughtens: The Score (2001)

The Forgaughtens: The Score (2001)

The “one last job” trope is one of cinema’s most familiar and tired. In 2001, director Frank Oz assembled a red-hot cast (De Niro! Norton! Brando!) to bring his version of this story to the big screen, and … well … it’s pretty familiar and tired. It’s hard to make a forgettable film with De […]

The Forgaughtens: The Day After Tomorrow (2004)

The Forgaughtens: The Day After Tomorrow (2004)

The Forgaughtens is a series of posts in which I revisit “forgotten” films that were released between the years 2000 and 2009, or the aughts. All films will be discussed in the context of their release, as well as their cultural relevance today, and at the end of each post, a film will be given […]

The Forgaughtens: Vertical Limit (2000)

The Forgaughtens: Vertical Limit (2000)

The Forgaughtens is a series of posts in which I revisit “forgotten” films that were released between the years 2000 and 2009, or the aughts. All films will be discussed in the context of their release, as well as their cultural relevance today, and at the end of each post, a film will be given […]

The Forgaughtens: Breach (2007)

The Forgaughtens: Breach (2007)

The Forgaughtens is a series of posts in which I revisit “forgotten” films that were released between the years 2000 and 2009, or the aughts. All films will be discussed in the context of their release, as well as their cultural relevance today, and at the end of each post, a film will be given […]

The Forgaughtens: Indiana Jones and the Kingdom of the Crystal Skull (2008)

The Forgaughtens: Indiana Jones and the Kingdom of the Crystal Skull (2008)

This is the first in a series of posts revisiting “forgotten” films that were released between the years 2000 and 2009, or the aughts. All films will be discussed in the context of their release, as well as their cultural relevance today, and at the end of each post, a film will be given a […]

Syriana Review

Syriana Review

“The Beverly Hillbillies” called oil “black gold,” which sums things up quite well. It’s a commodity that people like Daniel Plainview from There Will Be Blood would sell his soul for back at the turn of the 19th century, and in the century between when that film is set and when Stephen Gaghan’s Syriana is both set and released, the […]

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