Dawn of the Planet of the Apes Review
RATING: (3.5 STARS) Dawn of the Planet of the Apes is one of the most unusual big-budget Hollywood action movies I’ve ever seen. For one, it opens with a virtually silent 20-minute sequence—one that catches us up with characters from the film’s predecessor, Rise of the Planet of the Apes. There’s also next to no […]
The Spy Who Came in from the Cold Review
RATING: (3 STARS) Martin Ritt’s The Spy Who Came in from the Cold captures the essence of its source material almost eerily well. Adapted from what’s arguably John le Carre’s best and most well-known novel, the film and its lead character are portraits of Cold War malaise. Though it came out in 1965, during the […]
Radio Days Review
RATING: (3 STARS) Radio Days comes at an interesting time within the Woody Allen canon. That output that follows it (excepting Crimes and Misdemeanors) for the next several years is generally regarded as a series of high-concept, well-intentioned misfires. Preceding Radio Days, of course, were Hannah and Her Sisters, The Purple Rose of Cairo, Broadway […]
The Case Against 8 Review
RATING: (3.5 STARS) Documentaries of well-covered (or heavily covered, depending on your view on the state of professional journalism) subjects too often feel disposable because those in charge don’t use the medium to make their take on the story unique. A perfect example of this would be 2013’s complementary films about the anti-homosexual agenda in […]
A Midsummer Night’s Sex Comedy Review
RATING: (3.5 STARS) With more than 40 titles on his resume, Woody Allen‘s career has rarely been static. He wouldn’t be working today if he made the same movie every year. While Woody Allen movies most certainly can be defined reflexively, his style is much more a matter of applying a precise tone to an […]
The LEGO Movie Review
RATING: (3.5 STARS) The very idea that something called The LEGO Movie was being made was enough to send shivers down the spine of anyone with good cinematic taste or a mind for originality. You know those critics who think they need to write to save cinema? The announcement of a feature-length LEGO movie was […]
The Amazing Spider-Man 2 Review
RATING: (2 STARS) The Amazing Spider-Man 2 is many things—a good film not being one of them. But in between non-sensical, neon-soaked action sequences and cliche-ridden superhero movie romance are some surprisingly acceptable moments. Electro’s transformation from bullied to bully is hardly inspired. Ditto Peter Parker’s exploration of his parents’ past. But these oddly (if […]
The Double (2014) Review
RATING: (2 STARS) Director Richard Ayoade’s The Double finds visual beauty in some objectively ugly places. The entire movie is bathed in harsh, obnoxious light, and a dusty, dirty film—”a patina of shit,” to quote the movie Michael Clayton—engulfs its characters, which supports the film’s themes that the working world is a suffocating, miserable place. […]
Tribeca 2014: ‘Manos Sucias’
I managed to catch up with the Spike Lee-produced Manos Sucias before the 2014 Tribeca Film Festival began. Once the credits started rolling, I thought that if I didn’t see a film as good as this, it’d still be a pretty successful festival. It’s equal parts an outstanding character piece and a wonderfully entertaining and […]
Tribeca 2014: ‘When the Garden Was Eden’
Over at Sound on Sight, I’ve written a review of the latest 30 for 30 documentary, When the Garden Was Eden, which premiered at the 2014 Tribeca Film Festival. The film won’t premiere on ESPN for a little while, but it’s one you’ll want to look out for. Like last week’s Bad Boys, it’s a […]
Tribeca 2014: ‘All About Ann’
Over at Sound on Sight, my coverage of the 2014 Tribeca Film Festival began yesterday with a review of the charming political documentary All About Ann: Governor Richards of the Lone Star State. The film, which debuts a week from today on HBO, isn’t formally challenging, but Richards’ story is one absolutely worth telling. Check […]
Bringing Out the Dead Review
RATING: (2.5 STARS) Arguably one of Martin Scorsese‘s most forgotten (and forgettable) titles, 1999’s Bringing Out the Dead is a slippery eel of a film that eludes classification as defiantly as it does a traditional narrative trajectory. We never see our protagonist, Nicolas Cage‘s Frank Pierce, in a good place, so as far as the […]