Used Cars Review
RATING: (3 STARS) For his sophomore effort, following the lively and delightful I Wanna Hold Your Hand, director Robert Zemeckis went a little darker. Used Cars has the same manic energy that defined his feature film debut, but it’s applied in a satire of American capitalism that’s at times as biting and uncomfortable as it […]
Spy Game Review
RATING: (3 STARS) Spy Game is a film that carries over Tony Scott’s interest in the people who watch us from Enemy of the State, but it does so in a much different way. I had assumed going into this film for the first time that it would be a close sibling to Scott’s previous […]
Days of Thunder Review
RATING: (3 STARS) The rap against Days of Thunder (or case for it, depending on your speed) over the last 30 years has been that it’s nothing more than a remake of Top Gun with race cars. In Roger Ebert’s review of the film, he outlined all the ways this film fits squarely into then […]
Searching Review
RATING: (3 STARS) There are a thousand Searching‘s in the history of both film and TNT, but none quite look and feel like the one made by director Aneesh Chaganty and starring John Cho. Some have said it’s the first film to really get the digital age. I don’t think that’s quite true. (If it […]
Ocean’s 8 Review
RATING: (3 STARS) Ocean’s movies are tough to get wrong. It’s true that Ocean’s 8 is the first (at least this century) that’s been made by someone other than the incomparable Steven Soderbergh. But as good as his direction and sensibilities were for Ocean’s 11, 12 (especially), and 13, it wasn’t hard to imagine a […]
Wonder Woman Review
RATING: (3 STARS) If we mark 2013’s Man of Steel as the official start of the “DC Cinematic Universe,†then Wonder Woman is its fourth title and easily its best. It’s hard to imagine someone not at least appreciating the film as a breath of fresh air, for it fits squarely into the tradition of […]
Sausage Party Review
RATING: (3 STARS) Sausage Party follows in the tradition of so many animated films — either starting with or primarily popularized by Toy Story — wherein everyday objects are personified and an audience gets to take a glimpse of what their day-to-day world might look and feel like. After taking that glimpse of the day-to-day […]
Denial Review
RATING: (3 STARS) If 2016 proved anything to me, it’s that facts are as fragile as fine china. The idea that something is irrefutable doesn’t matter to people with the right mixture of ignorance, prejudice, and/or intention, and so admirers of historical and scientific truth are forced to debate where one shouldn’t be necessary. And […]
Florence Foster Jenkins Review
RATING: (3 STARS) The only name that matters when it comes to getting butts in front of Florence Foster Jenkins isn’t Florence Foster Jenkins, but rather Meryl Streep. Improbably, Streep has done what seemingly a dozen Hemsworths couldn’t — become a reliable box office draw based exclusively on star power. She can play a magazine […]
Tallulah Review
RATING: (3 STARS) As I was watching Sian Heder’s Tallulah, I couldn’t shake the implausibility of the premise. A young nomadic woman steals the baby of a rich, careless mother? The film offers a title character who is easy to accept as impulsive and destructive, but a kidnapper? Please. Then something funny happened. I started […]
X-Men: Apocalypse Review
RATING: (3 STARS) X-Men: Apocalypse works in spite of itself. Here’s a film that takes arguably the best actor working today and turns him into a purple version of Imhotep from The Mummy. There are too many characters, not enough genuine excitement, and it runs at least 30 minutes too long. All that said, it’s […]
The Jungle Book (2016) Review
RATING: (3 STARS) The Jungle Book, as surprising as it probably seems, is one of the few Disney animated classics that eluded me in my childhood. A casual awareness of something called “The Bear Necessities” was all I knew about the 1967 version of Rudyard Kipling’s stories. Incidentally, Kipling’s books are foreign to me, as […]
Room Review
RATING: (3 STARS) Director Lenny Abrahamson’s Room plays like a non-science-fiction version of The Matrix. Like the Wachowskis’ action landmark, we’re introduced to its characters in an “unreal” world before they’re able to escape and discover (or rediscover) what’s real. Obviously, the two films vary in big ways — particularly when it comes to the […]