Money Monster Review
RATING: (2 STARS) In 2011, Brett Ratner of all people made a supremely silly but surprisingly enjoyable “capitalism is evil” movie called Tower Heist. It starred Ben Stiller as the leader of a group of rag-tag blue-collar workers who were swindled by their Madoff-esque employer and seek to get their money back by any means […]
Predicting the 2014 Golden Globes Winners
This Sunday, the Hollywood Foreign Press Association will carve for itself a unique place in the 2013/2014 awards season. How do I know? Because it must. There still isn’t much consensus among this year’s major categories. The critics groups like 12 Years a Slave and Her. American Hustle and Gravity have loads of support—some from […]
2014 Oscar Predictions: Resetting the Board
Click on over to my 2014 Oscar Predictions page to see everything I’m forecasting in the major categories. And check out my 2014 Oscar Predictions: Technical Categories page for projections in Best Cinematography, Best Visual Effects, and more. I’d planned to dive a little deeper into Best Documentary Feature today, but I’ve got quite a […]
2013 TIFF Movies to Watch: #30-#21
Continuing my TIFF preview today with lots of big-name acting talent: Streep, Roberts, McGregor, Witherspoon, Firth, Johansson, Eisenberg, Wasikowska, Hiddleston, Swinton, Hemsworth, and more. 30.) August: Osage County Program: Gala Presentation Distributor: The Weinstein Company Directed by: John Wells Written by: Tracy Letts Starring: Meryl Streep, Julia Roberts, Ewan McGregor, Abigail Breslin, Sam Shepard, Dermot […]
Erin Brockovich Review
RATING: (3.5 STARS) I don’t really understand the whole “Julia Roberts is America’s sweetheart†thing. Sure, Pretty Woman is great fun, but she spent most of the ‘90s doing average (or in many cases, below average) romantic comedies. For some reason, people ate it up, and by 2000, she was one of the biggest movie […]
Duplicity Review
RATING: (3 STARS) Tony Gilroy knows the spy genre. He’s written the Bourne movies and “Michael Clayton” in addition to directing the latter (although Clayton isn’t a spy film per se, it follows many of the same conventions). The tone of those features was deadly serious. In “Duplicity,” Gilroy switches things up. He takes what […]
